constitute the refinement sought in the Renaissance and 
repudiated now in the electronic age.

The new time sense of typographic man is cinematic and 
sequential and pictorial. 

The denuding of conscious life and its reduction to a single level 
created the new world of the “unconscious” in the 
seventeenth century. The stage has been cleared of the 
archetypes or postures of individual mind, and is ready for 
the archetypes of the collective unconscious.

Philosophy was as naive as science in its unconscious 
acceptance of the assumptions or dynamic of 
typography.